Austrian Film Museum en Viena: fotos, reseñas

Descripción

El Museo del Cine de Austria en Viena ofrece una rica experiencia cinematográfica que combina entretenimiento, historia y educación. Establecido en 1964 por los visionarios Peter Konlechner y Peter Kubelka, el museo es famoso por su amplia sala de cine y su biblioteca especializada, atrayendo tanto a aficionados al cine como a visitantes ocasionales. Con una impresionante calificación de Google de 4.7, el Invisible Cinema 3 alberga una multitud de programas de alta calidad y retrospectivas regulares, profundizando en varios géneros cinematográficos y explorando temas específicos, como directores icónicos o épocas particulares. Los cinéfilos pueden disfrutar de estas ofertas culturales mientras saborean refrescos del bar bien considerado dentro del teatro. El museo está financiado parcialmente por la República de Austria y la Ciudad de Viena, apoyando su compromiso de ser una piedra angular del patrimonio y la educación cinematográfica. Además, la conveniencia de los pagos con tarjeta de crédito hace que acceder a este tesoro de historia cinematográfica sea libre de complicaciones.

Características

Accesible para sillas de ruedas, Pago con tarjeta de crédito.

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Plankengasse

Parada de autobús 223 m caminar

Albertinaplatz

Parada de autobús 76 m caminar

Kärntner Straße

Parada de autobús 151 m caminar

Oper, Karlsplatz U

Parada de autobús 208 m caminar

4.4

basado en 604 opiniones

Google

4.6/5 308 opiniones

Facebook

4.2/5 296 opiniones

lila mehl

Ein super cooler Ort mit angenehmener atmosphäre. super film programm und tolle alternativen zu den gängigen kinos mit vielen neuen filmen. nettes, bemühtes personal. im saal selber ist nicht so viel beinraum leider aber sonst sind die sitze bequem. die leinwand ist toll und ton passt auch super. und ja die lage ist halt auch top

Tin Hannah

應該說是一個放映經典電影的戲院，而非電影博物館，不過我看那場是George Clooney和Jennifer Lopez 主演的 Out of Sight, 也算不上經典電影。戲院內的通風系統有必要改善，看戲中途有時感覺呼吸困難，也有其他觀眾一邊看戲一邊搧扇子，體驗較差。

Maudite Part

The Amos Vogel Library is a significant collection of over 8,000 books and related materials from the personal library of Amos Vogel, the Austrian-born film curator, critic, and founder of Cinema 16, now housed at the Austrian Film Museum (Österreichisches Filmmuseum) in Vienna, Austria. Located at Albertinaplatz 1, 1010 Vienna, within the Albertina building, it represents a key piece of Vogel’s legacy, reflecting his lifelong passion for cinema as a subversive, transformative art form. The library was transferred to the museum in 2014 by Vogel’s sons, Steven and Loring Vogel, two years after his death in 2012 at age 91, with public access formalized in 2019. The collection spans Vogel’s eclectic interests: avant-garde and experimental film, documentary, world cinema, art history, psychology, and political theory. It includes rare volumes, film journals, and annotated books that informed his curatorial work at Cinema 16 (1947–1963), his co-founding of the New York Film Festival in 1963, and his seminal book Film as a Subversive Art (1974). Notable items include early editions of film theory texts, catalogs from his screenings, and works by thinkers like Siegfried Kracauer, whose ideas shaped Vogel’s view of film as a tool to "shock us out of complacency." The library isn’t just a static archive—it’s a window into the mind of a man who championed filmmakers like Maya Deren, Kenneth Anger, and Luis Buñuel, often against mainstream resistance. The Austrian Film Museum, founded in 1964 by Peter Konlechner and Peter Kubelka, integrates the Amos Vogel Library into its broader mission to preserve and explore film history. The library is accessible in the museum’s reading room, open Monday to Friday, 1 PM–5 PM, with free entry as of 2025 (appointments recommended for researchers). Since 2019, its catalog has been digitized and searchable online via the museum’s website (filmmuseum.at), allowing global access to titles and metadata, though the physical books remain in Vienna. The museum also uses the collection as a springboard for programming—its 2021 centenary tribute, "Amos Vogel – 100 Years of Subversion," paired screenings (e.g., Un Chien Andalou) with talks and a companion book, Be Sand, Not Oil. Unlike the Centro Studi Pier Paolo Pasolini, which preserves a single artist’s output, the Amos Vogel Library is more curatorial, reflecting Vogel’s role as a tastemaker rather than a creator. It complements his papers at Columbia University and the Wisconsin Center for Film and Theater Research, but its Viennese home ties it to his Austrian roots—he fled Nazi annexation in 1938 at age 17, making this a symbolic return. The museum, a non-profit reliant on public funding and donations, keeps the library active, not fossilized, aligning with Vogel’s belief in film’s living power.

Austrian Film Museum en Viena

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